This is a camera of superlatives. It is very small, very simple, very basic and, when new, very cheap. The first part of this article comes from my “research’ on the Interweb so I cannot vouch for its veracity.
The camera was made by E. Elliott Co in Birmingham. The maker’s name is not anywhere on the camera but their logo of a yacht with a capital ‘L’ superimposed on it is in the inside of the moulding. This camera was sold by Woolworth’s (a very common and cheap shop – every high street in Britain had a branch). It was the proud boast of Woolworths that nothing they sold cost more than 6d (six old pence) which equates to 2.5p in modern money. To get around this price limit, Woolworth sold expensive items in parts – this camera was sold in three parts as 6d each, giving a price for the whole camera of 1‘6 (one shilling and six pence or 7 1⁄2p in modern money).
This camera was introduced in 1935. In 1952, it was re-issued with an updated finish. The lens is a meniscus lens – a single piece of glass, concave on one face and convex on the other. The focal length is reported to be 35mm. The single, fixed, aperture is ƒ/12 which will give good depth of field with the non-focusing lens. I have no idea as to the shutter speed – but on similar cameras shutter speed is around 1⁄30 second.
The rest of this article comes from my own observation of the actual camera that I have just bought myself and so is completely reliable.
The camera is small – too small for me to use comfortably. It measures 85 by 70 by 50 mm and weighs an astounding 115 g. The camera is made from Bakelite – an early hard plastic. The colour is brown and it has a textured surface to imitate leatherette. The two exceptions to the plastic are the shutter and the viewfinder, both of which are metal.
Controls are basic – there are only two: the shutter release and the film advance. On the top of the camera, on the left, is the film advance knob (which is broken on my camera). This connects to the take-up spool inside. That is all there is on the top.
The back of the camera is more involved. There are two red windows which are there to allow the user to read the frame numbers off the film backing paper. There are two windows because this is a half-frame camera – the camera takes two images on each normal sized frame of film. Each frame number on the film is used twice, once in each red window. Between the two red windows there is a moulded rectangle bearing the legends “VP Twin” and “Made in England”.
On the left edge of the back is the viewfinder. Actually, the word “viewfinder” is not really appropriate. It is more a view-hint. It consists of one bendy metal frame which hinges at one end. When opened, it does not locate to any particular position which means that the precise limits of the view are academic.
The lens/shutter assembly is on the front, as is usual. Both are very simple. The lens is a simple meniscus lens with no focusing facility. The shutter is a very simple leaf shutter. It is actuated by a lever on the right hand side of the shutter assembly. Pushing this lever down fires the shutter and pushing it up again fires the shutter again. There is no double exposure prevention here – you can take as many exposures on each frame as you wish.
To open the camera, there is a moulded groove on the left hand edge. You need to put a small coin in this groove and twist. The back comes away in one piece – no pesky hinges to bother with. Inside the back there are two plated steel springs, one on the outside of each red window. These springs hold the film snug on the spools. There is no pressure plate to keep the film flat over the film gate. In fact, the film gate consists of four thin bars of Bakelite.
Inside the body are three chambers. In the middle is the film gate. This gives onto a circular steel plate with a fairly small hole in the centre which allows the light from the lens into the camera. On the left of the film gate is the space for the film take-up spool. The end of the spool links to the inside portion of the film advance knob. On the right of the film gate is the space for the roll of film. The roll of film is not fixed in this space but is inhibited from moving by the spring in the camera back.
I have no intention of using this camera. I can almost certainly source some 127 film to fit, but it will be expensive and the results are bound to be very poor. Yet this camera is a keeper as it is interesting in its crudity – it is the most basic camera that I have yet to purchase.