Nikon’s first SLR camera was the professional Nikon F which introduced the F mount which is still (in modified form) in use today. In order to tap into the large enthusiast market, Nikon introduced the Nikkorex range. There were three models in the Nikkorex range. The first two models seem to have been modelled on the Zeiss Ikon Contaflex – fixed lens and complex leaf shutter in the lens. This third model in the range, the Nikkorex F, is a standard SLR with a removable lens and a focal plane shutter – this camera uses the same lens mount as the Nikon F and so also the same range of lenses. It dates from 1962. In fact, the Nikkorex F was supplied with the same lens as the Nikon F. (Initially, Nikon was the name of a range of SLR cameras, not the name of the company which was originally Nippon Kogaku.) This Nikkorex model was designed by and made by Mamiya for Nikon. After Nikon dispensed with this model (at the introduction of the Nikkormat range), Mamiya sold the design to Ricoh. I assume that the reason for Nikon choosing the same name – F – as their flagship Nikon F was to instil visions of quality into the customer’s mind.
- lens: Rikenon
- focal length: 35 mm
- apertures: ƒ/2.8 to ƒ/22
- focus range: 3 feet to infinity
- lens fitting: fixed
- shutter: Copal leaf
- speeds: 1/30 or 1/125
- flash: hot shoe plus PC connector
- film size: 35mm
I shall use my usual method of describing this camera, starting with the top plate. The top plate is made from pressed brass which has been satin chrome plated. On the far right is the film advance lever. This is pressed metal and also satin chrome plated apart from the tip which is bright plated. When not in use, this lever sits over the top plate out of the way. In use, it sits just proud of the top plate making it easier for the user’s thumb to move it.
In front of the film advance lever is the frame counter. This is reset to S (or -3) by opening the camera back. Left of this window is the shutter release button. This is metal and is threaded for a standard Prontor type cable release. Left of this, centrally on the top plate, is the shutter speed dial. This is pretty much as you might expect. The speed range is from one second to 1/1000 second plus B. The dial turns freely between speeds but not between B and 1/1000. As you move the dial to a faster speed you can hear the mechanism wind up. To move from 1/125 to 1/250 and faster requires significantly more effort than between the slower speeds. The speeds from 1 to 1/125 are printed in orange – these are the flash sync speeds. 1/250, 1/500 and 1/1000 are printed in green Between B and 1/1000, there is a small metal stud. This is used to connect the optional light meter – more later.
Just left of centre on the top plate is the pentaprism hump. My camera has a large dint on the top which seems to have no adverse effect on its function. The front of the pentaprism hump is an engraved capital ‘F’ which is the model name. The rear of the hump has the viewfinder eyepiece. This is circular and has a screw-in ring which can hold vision correction lenses for people who wear glasses.
Inside the viewfinder is the focus screen. Mostly this is a Fresnel lens which gives even illumination over the screen. In the centre of the screen is a disc of plain ground glass to ease focusing (the Fresnel lens part is hard to focus on). Inside this is a smaller circular split-image rangefinder spot. As this camera has no meter, there is no additional information in the viewfinder. Left of the pentaprism hump is the rewind crank. This is the very usual small folding crank. This only has the one function of rewinding the film – it doesn’t open the back as with many cranks.
The front of the camera is mostly as you would expect with one surprise – more later. In line with the pentaprism hump is a raised portion. At the top of this is the model name – Nikkorex – in capital letters. On the right of this raised portion (as when looking at the front), there is a small stud on the side in line with the model name. Again, more later. Further down this raised portion is the lens mount. This is Nikon’s F mount as introduced in 1959 – no electrical contacts and no AIS ring around the mount. On the left of the mount, on the side of the raised portion, is a chrome button. Pushing this down closes the lens aperture so you can gauge the depth of field of the image. On the front of the camera to the left of the raised portion is the self-timer lever. This winds about 90º anticlockwise and is activated by pressing the shutter release button.
Above the self-timer lever, on the front of the top plate, is the surprise I mentioned previously. This is a vertically mounted but otherwise standard Barnack accessory shoe. Being vertical, it is entirely useless for connecting a normal flash gun. However, that is not its intended function. It is there to attach the optional Nikon light meter. This light meter has three attachment points: 1) the vertical accessory shoe, 2) the stud on the shutter speed dial, 3) the pin on the side of the raised portion mentioned earlier. I do not have this optional flash gun so I can say no more about it. If you do want to connect a normal flash gun, Nikon provided an L shaped bracket which fits into the vertical accessory shoe to provide a horizontal accessory shoe.
The rear of the top plate has, on the right, the legend “Made in Japan” and the serial number – 356786 in the case of my camera. On the left of the rear of the top plate is the maker’s name – “Nippon Kogaku Tokyo” – this is the original name of the company that now calls itself Nikon (this ignores the fact that this camera was made by Mamiya for Nikon).
In the middle of the back is a circular memo. This allows the user to set the speed of the film in use – ASA only – and the length of the film. The options here are either 20 or 36 exposures and in either red or black (i.e. colour or monochrome).
The base plate of the camera is also made of brass which is satin chrome plated. In the middle of the base plate, in line with the centre of the lens, is the tripod socket. This has the 1/4 inch Whitworth thread – the international standard later changed to UNC threads but not in 1962. Also on the base is the rewind button.
On the left hand edge of the top plate are two PC connectors for flash. The front connector is marked with a green M and is for use with flash bulbs. The rear connector is marked with a red X and is for use with electronic flash. Below these two PC connectors is the sliding catch for the back.
Inside, the camera is just as you would expect. In the middle of the back is a nice large pressure plate which keeps the film flat against the film gate. Inside the body, there is a chamber on the left for the film cassette. – no DX contacts at this age. In the middle is the film gate which has a large surround to match the pressure plate.
To the right of the film gate is the sprocket shaft. For those readers new to film, this sprocket shaft counts the holes on the edges of the film and stops the film advance after eight holes have passed over the shaft – eight holes equals one frame. To the right of the sprocket shaft is the take-up spool. This has one slot to take the film leader – the slot is outlined in yellow to make it easier to find.
The camera came with a Nikkor-S lens. This has a maximum aperture of ƒ/2 and a minimum aperture of ƒ/16. Its focal length is 5cm – an old-fashioned designation for the 1960s, I would expect it to be 50mm which is the same size but consistent with industry standards. The lens bezel has the maker as Nippon Kogaku – the same as the camera. The focus range is from just short of two feet (about 500mm) to infinity. The “S” in the designation “Nikkor-S” stands for Septum which is Latin for seven. This indicates that the lens is made from seven glass elements. This is the same lens as was provided with Nikon’s flagship model Nikon F so this lens is no slouch.
As with all Nikkor lenses from before 1977 (that is, F mount lenses; the rangefinder S mount lenses were also called Nikkor), the lens has a pair of ‘rabbit ears’ protruding from the aperture ring at ƒ/5.6. These link to the light meter system to tell the electronics which aperture has been set. As this camera has no light meter, the rabbit ears do nothing. If you fit the optional light meter mentioned earlier, that meter has a prong which will engage with these rabbit ears.
At some point, the shutter on this camera has failed. It is clear from the state of the screws holding the base plate on, and the screws under the base plate, that someone has been inside the camera, presumably to repair the shutter. As the shutter is 60 years old, I doubt that it was ever going to be repairable. I am not going to be able to use this camera so I cannot comment on how well it works.
3 thoughts on “Nikon Nikkorex”
I have it’s orphaned brother, the Ricoh Singlex F with a fairly nice Rikenon 55/1.4. It came as part of a bundle more than ten years ago and I’ve never shot a film through it. It all works, though. I gather the Nikkorex was prone to shutter failure and other mechanical maladies, so I’m hoping the Singlex was slightly improved.
Some day soon I’ll shoot a film in it and see how it fares.
Annoyingly, the F mount on the Singlex has one lug longer than Nikon’s F, so while Nikkors will fit this, the Rikenon isn’t meant to fit Nikons. But it does, if I tilt it just right and engage the lugs gently. Nothing a Dremel won’t fix properly, though.