I already have a Voigtlander Vitomatic II which in turn is based on the Voigtlander Vito B camera. This camera is from the same stable. I now have four Vito B derivatives as the Vito BL is a precursor of the Vitomatic cameras. This first photograph shows my four Vito B derived cameras. They are very similar – they share the same basic body casting – but vary in many details. The Vito B was the first old camera I bought and is still a very special camera to me.
focal length: 50 mm
apertures: f/2.8 to f/22
focus range: 3.5 feet
lens fitting: fixed
shutter: Prontor 500 SLK-V
speeds: 1 second to 1/500 second
flash: hot shoe plus PC connector
film size: 35 mm
This CS model has a more modern looking bezel around the viewfinder, rangefinder and meter sensor than the earlier Vito B range but is otherwise much the same as the earlier cameras.
I will give a simple description concentrating on the differences introduced with this model.
The top of the camera has a translucent dome on the right-hand end which has two functions. Its primary function is as a battery holder for the light meter which his clearly a CdS meter rather than a selenium meter in the earlier Vitomatic II. The battery is a PX 625 button battery which is a banned mercury battery. Modern alternatives are available but will affect the light meter as the voltage will be slightly too high. The secondary purpose is the translucence which provides light to enable the user to see the meter needle in the viewfinder.
At the other end of the top is the rewind crank. The earlier Vitomatics (and Vito B, Vito BL) had a rewind knob – this has been replaced with a fold-out crank as has become usual. This has an idiosyncrasity in that in order to fold-out the crank, it is necessary to flick a serrated lever on the end of the camera below the rewind crank. In the older Vito series, this caused the rewind knob to pop up. Now it causes the crank to pop up – the user still needs to unfold it.
In the centre of the top is the accessory shoe. This now has electrical contacts for a flash gun so is a hot shoe. This camera also retains the ability to use off-camera flash with a PC connector on the left-hand end above the serrated lever for the rewind crank. The viewfinder eyepiece on the back of the camera is nice and large and has clear bright-lines for framing the picture. These have secondary lines to allow for parallax in close-focus photographs.
In the centre of the viewfinder image is the rangefinder spot. This is decidedly orange (achieved by using gold-plated mirrors instead of silvered mirrors) and quite easy to see but is a bit on the small side. The split-image rangefinder spot has high contrast making it easy to align the images (Note: while writing this article, the rangefinder has stopped working. The linkage between the focus ring on the lens and the rangefinder mechanism in the top plate has become de-linked in some way. I shall not attempt a repair as the camera is otherwise excellent).
At the bottom of the viewfinder image is the light meter display. This has a green area on the left, a red area on the right and a larger white area in the centre. At the moment, I do not have a suitable battery for this so the meter is not working. When the batteries arrive (ordered from The Small Battery Company) I will find out if the meter is functional and if so, how to use it. I will then update this article.
In the bottom right of the viewfinder is a prism which allows the user to see both the aperture and shutter speed which have been set. The visible shutter speeds are limited to 1/60 to 1/500 which are printed in silver on the shutter barrel. To achieve this, the shutter speeds are offset to the left with the highest speed – 1/500 – being at the top of the shutter housing. Slower speeds are available down to 1 second which speeds are printed in bronze. These speeds are not visible in the viewfinder but that is not going to be a major problem as then user will not be using these slower speeds hand-held so they will stile visible.
In common with the other cameras in the Vito B range, the film advance lever advances the film but does not cock the shutter. The shutter is cocked by the moving film rotating a sprocket wheel above the film gate. This means that the shutter will not get cocked if there is no film in the camera leading people to falsely think that the shutter is broken.
The lens is the Voigtlander Color-Skopar which is a copy of the Carl Zeiss Tessar four element lens. It is a very good lens. Its serial number – 7004871 – tells me the camera was made in 1967 so this is an early version of the Vitomatic II CS.
The shutter on this camera is a Prontor 500 SLK-V. The V indicates that the shutter is a special version to Voigtlander’s specification (FYI – S=syncronised for flash, L=coupled light meter, K=coupled rangefinder). I assume that a this refers to the internal linkages to the rest of the camera as outwardly the shutter is the same as non-V Prontor 500 SLK shutters. The 500 tells us the top shutter speed – there were 125 and 250 versions of the shutter made. This shutter is both light meter and rangefinder coupled so there is no need to manually transfer either exposure details or distance to the shutter once they have been read.
The shutter has a delay action lever – re on then underside of the shutter housing. Standard advice is to never use these with old cameras as they are liable to failure and can wreck an otherwise good shutter mechanism. On this camera, the delay action works well and smoothly giving a delay of about eight seconds before the shutter fires.
The shutter barrel also has a film speed setting. This is in both DIN (on the right, 15 to 30) and ASA (on the left, 25 to 800).The focus ring has three Happy Snapper settings. the first, denoted by a red dot, is for head-and-shoulder portraits and gives a focus range of nearly four feet to five feet. The second, denoted by a red triangle, is for group shots and gives a focus range of eight feet to sixteen feet. The third Happy Snapper setting is denoted by a red circle and is for landscapes with a focus range of fifteen feet to infinity (my apologies to non-British and younger readers, this camera does not do metres!). All these assume an aperture setting of f/8 which is printed in bronze on the aperture scale. If you use f/22 and the red triangle, this will give an aperture range of five and a half feet to infinity and shows an hyper-focal distance of eleven feet. Ideal for landscapes in good weather!
The shutter release has moved from the top plate to the front of the camera and is now a slider rather than a button. At first glance, there is no provision for a cable release, but the socket for this is on the underside of the shutter release slider.
The rest of the camera is basically the same as the rest of the Vito B series – the strange way of opening the back, for instance, by undoing a small part of the base and then the back hinges out as you might expect – see the next two photographs.
I currently have several cameras with filom in them so I shall be delaying testing this one for a short while. When I have run the test film, I shall post the results here. I have high expectations – no Voigtlander camera has let me down yet. The big advantage of German cameras over the Japanese cameras is that the Germans never used foam light seals so light leaks are rare.
Mike Eckman has devised a system of scoring cameras for his reviews. With his permission, I am going to copy that system for my own blog. Details of how this works can be found here.
|My Final Word||The Vitomatic IICS is a very well designed and made camera. It was designed and made towards the end of German photographic industry. It is visually pleasing and easy to use but the Japanese were already doing it better.|
|Images||Handling||Features||Viewfinder||Feel & Beauty||History||Age|